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254 Search Results for "northern chugach"

  • Bomb Snow TV Goes to AK: Episo Bomb Snow TV Goes to AK: Episode 4 Shallower, Closer, Shorter

    • From: TetonGravityResearch
    • Description:

      Words: The Bomb Snow 

       

      After a rowdy eviction party, we hit the road early on April 1st with Alaska segments from old MSP and TGR movies burned in our brains. With 2500 miles in front of us, we knew we were in for a long ride, but the prospects of skiing steep blower spines kept our spirits high. Loaded with five snowmobiles on an old rusty trailer, we were clueless as to the hardships that would be brought on by the rough roads of Northern Alberta and the Yukon.

       

      Bomb Snow TV Episode 4, the last of the season produced by the Bridger Brigade, is a brief account of our adventures to Alaska. From Montana, to Valdez, to Haines, and back to Montana, our journey was filled with highlights and disasters. We have gained a new understanding and appreciation for the Alaskan skiing journey. After 7 days and 6 nights in the truck, 4 blown trailer tires, and 2 broken trailer arms, our hardships were outweighed by a plane drop and an unreal 4 days spent on a glacier in Haines.

       

      Needless to say, the Alaskan experience was humbling. The sick terrain and incredible challenges have revamped our ambition toward skiing. With new determination and new goals, nothing will stop us from spending our Spring's in Alaska.

       

      Created By: The Bridger Brigade

      Directed and Produced by: Axel Peterson, Rob Raymond, Randy Evans, Henry Worobec

       

      Videography: Axel Peterson, Henry Worobec, Randy Evans, Rob Raymond, Tyler Morton, Mark Rainery

       

      Shredders: Randy Evans, Kyle Taylor, Henry Worobec, Axel Peterson, Rob Raymond, Mark Rainery, Tyler Morton

       

      Edited by: Axel Peterson and the Bridger Brigade

       

      Photography: Travis Andersen

       

      Special Thanks: Voke Tab, Caravan Skis, Smith Optics, Drake Olson @Fly Drake, Bill Buchbauer, Fort Seward Lodge, Mike @Mikes Bikes and Boards, The Radbots, Alaska Backcountry Outfitter, Tailgate Alaska, Alaska Brewing, Kyle Christenson and his piece of S***T trailer, Bozone Brewery, Beer and Pow, Tecnica Blizzard, Orage

    • 2 weeks ago
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  • Postcards from Fantasy Camp Postcards from Fantasy Camp

    • From: TetonGravityResearch
    • Description:
      Words by Dana Flahr
      Photos by Dutch Simpson

      Camp life is a multi-dimensional reality—a temporary town established to facilitate exploration in unfamiliar territory. And all the while snowskate course maintenance and games of beer spear escalate.
      You see, when we got here, we were greeted with high fives and the pure excitement that you love to feel after your very best ski sessions with your best ski buds. Then we watched them fly off the frozen lake and we moved into their tents. I also remember hearing a “This is the coolest thing we've ever done. Later!”
      So now we are posted up in paradise, skiing lines we've never skied before—on mountains none of us have ever seen before. Without a cloud in the sky like we've never dreamed before. Here we are—Fantasy Camp. Time to put on the boots.
      Northern Lights at TGR's Fantasy Camp
      The Northern Lights glow over Fantasy Camp.
      Fantasy Camp Canvas Tents
      Our Fantasy Camp canvas wall tents were custom built by snowtrekertents.com
      Fantasy Camp Canvas Tents
      These sleeper tents are the perfect place to crash after a long day.
      Fantasy Camp Heli
      The bird waits patiently in the front yard.
      Fantasy Camp Landscape
      The Neacola Mountains are as good as they look.
      Landing in the Mountains
      The crew loads up for another line.
      The Topography of the Neacola Zone
      A quick glimpse of the Neacola's topography can quickly stir the imagination.
      Ian MacIntosh
      Ian MacIntosh is ready to charge. 
      Sage, Marc, and Angel in the Bird
      Sage, Marc, and Angel gear up for take off.
      Angel Scoping Lines
      Angel scopes out lines in every direction.
      The Neacola Mountains
      The Neacola Mountains offer no shortage of zones to explore.
      Camp Cook Hailey Serving Tender Belly
      Camp Cook Hailey frys up some tasty Tender Belly from Dash Longe and the folks at www.tenderbelly.com
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    • 4 weeks ago
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  • Cherry Picking – Points North Cherry Picking – Points North Heli “Buddy Love”, the Worm Glacier

    • From: kimhavell
    • Description:

      North Points HeliPhoto: Grant Kaye

      Remote, bold, and mostly unknown, some of the dream, big mountain lines lie deep in Alaska's mountains and are accessible only by helicopter. Over the season, we will cherry pick the modern gems of ski descents from one of the greatest places on the planet for big mountain powder skiing: Alaska, The Dream Factory. It will be a display of mind-blowing, inspiring, and intense moments as we ask the heli-guides and owners to cherry pick a run from each of their permit areas. This is a look into what is possible by some of the best operators in the world and their talented guides, clients and athletes.

      Buddy Love - Cherry Picking No. 2 - Points North Heli

      The Worm Glacier is a Points North Heli (PNH) treasure. Sitting at the Southern entrance of the Chugach mountain range just north of Cordova, Alaska, the Worm zone offers a vast number of options off the peaks lining its valley. Terrain ranges from the 3,000ft warm-up run “Guilt Trip” to spines galore. The stand-out, however, is a peak named “Buddy Love” that, according to PNH Chef and tail guide Nathan Stone, “is undoubtedly the brains and beauty of the Worm Glacier. Flying in, if you can make it past the temptations viewed on approach, your eyes become fixated on this lone peak at the head of the valley.”

      The prominent peak of Buddy Love is roughly 2800 vertical feet and a consistent 50-degree angle pitch. It is named after one of Cordova's most respected citizens and good friend of PNH, Bud Jansen, AKA “Buddy Love”. A third generation Inuit tribesmen, Bud is a central figure of the land-locked community. PNH photographer and friend Keoki Flagg explains, “Like most who were born and raised in Cordova, Buddy has made his living as a commercial fisherman. This giant of a man has a gentle, easy-going manner and he is engaged and committed to supporting any and all activities that help the community thrive.” Janson also owns the famous “Pro Shop” in Cordova, and the Worm Glacier and many of its runs are named in honor of him.

      North Points Heli

      When Kent Kreitler put the first descent down Buddy Love it was pre-PNH as well as pre-most heli operations in AK. Kreitler was based off the Maritime Maid boat in Prince William Sound, close to the current Points North base. The first descent was documented in TGR’s film, “Harvest”. The segment opens with Kent charging from the top, airing over a rock outcropping, and then sending it to the bottom effortlessly in about eight turns.

      Countless pros and film companies have visited the area over the years and superstar big mountain skier Wendy Fisher calls it the best heli run of her life. Pro snowboarders Mitch Toelder, Flo Orley and 2-time Olympic Gold Medalist Seth Wescott have also charged multiple routes off its face.

      As Guide and Co-Owner, Jessica Sobolowski-Quinn shares, “Buddy Love used to be a peak I often skied with Kevin (Quinn – husband, guide, & co-owner). The landing zone is small and the adrenaline I would feel on the toe-in would stay with me for the first three turns skiing down. It’s exciting! Dropping onto the massive spine is intimidating, but as soon as you’re a quarter of the way down the run appears, the rollover fades away, and you are skiing a beautiful, consistently steep slope to the bottom.”

      Sobolowski-Quinn adds, “It was a special moment when one of our guests, KC, skied it. She is a mom of three and in her forties. I was overcome with pride and awe. It's not often you see a lady just ripping the you-know-what out of a line like Buddy Love and doing it just for the sheer joy of doing it.”

      North Points HeliPhoto: Court Leve

      PNH company man Stone describes the run:

      “On the west aspect there are fluted spines, top to bottom. The apron is littered with gaping crevasses that catch your eye like an S.O.S distress signal from a pocket mirror. Due to its sun exposure, this aspect is rarely skied. But in the right conditions, it will be what you dream about. 

      Panning around to the northwest aspect, Buddy Love proper, is a beautiful A-framed layout. The tip of the peak is rarely landed on by helis as it occasionally can have wind scoured rock formations and a miniscule landing area; so about fifty percent of the landings are in the saddle just below the summit. This is where I set out for the quick climb to the top.

      Once on the summit, as I double check my gear, the bass drum in my chest is increasing in velocity and depth. Peering over the tip of my board, the view is peppered rock and small cliffs scattered about the entrance. Beyond that, the only visual is the valley floor 3,000 feet below. Classic AK roll.

      There are safe points. But if you are caught in the wrong area, it's taking you top to bottom in a hurry.

      North Points Heli

      With a consistent 50-degree pitch, I have no problem finding the accelerator in the first turn. From there it offers several routes—my personal favorite being fall line. I work the mountain from right to left. A third of the way down, a distinct rib just calls for turns. Shedding snow forms rivers on both sides of me, and yet more concentrated on either side of the spine. I make a few surf-style turns, whipping the tail while scrubbing speed in the same motion. A smooth lip. Take off!

      Airing a small cliff band, I am now in the gut. The belly of the beast. I have two choices at this point: wait out the slough train, or, my choice, hammer down, working left toward the shoulder, letting the snow fall away from me.

      Getting to the bottom third, the thought of pointing to the finish line comes to mind. But keeping one step ahead, I lock onto the open seracs and depressions on the left side of the apron. All of the snow I've been avoiding is now catching me and its destination is the danger zone. Smashing the pedal to the floor, I exit right, just before the slough nips at my heels to pull me back fall line. Arms raised, yelling in ecstasy, I realize that I made it. And I rode it how I wanted.”

      North Points Heli
      Be safe in the field, shop for all your avalanche saftey gear online at Backcountry.com

      Photos by

    • Blog post
    • 2 months ago
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  • 92 Days In Valdez In Less Than 92 Days In Valdez In Less Than 2 Minutes - TGR Moments

    • From: TetonGravityResearch
    • Description:

      In this episode of Teton Gravity Research’s web series Moments, take a look at a stream of production snapshots from the filming of The Dream Factory in Valdez. Each behind-the-scenes shot is 1 to 1 ½ seconds long and edited together to give a sense of what it was like filming The Dream Factory with Todd Ligare and Griffin Post in Alaska.

      Inspired by Cesar Kuriyama’s “1 Second Everyday – Age 30” video, Moments is a web series by Teton Gravity Research that pieces together snapshots from the filming of The Dream Factory during the 2011-’12 season. Celebrate moments from locations such as Jackson, Anchorage, Valdez, the northern Chugach, Canada’s Powder Highway, and Pemberton, BC.

      Order The Dream Factory

      Watch More TGR Moments

    • 2 months ago
    • Views: 140
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  • 13 Days Along The Powder Highw 13 Days Along The Powder Highway In Less Than 2 Minutes - TGR Moments

    • From: TetonGravityResearch
    • Description:

      In this episode of Teton Gravity Research’s web series Moments, take a look at a stream of production snapshots from the filming of The Dream Factory along the powder highway as the team heads to Alaska. Each behind-the-scenes shot is 1 to 1 ½ seconds long and edited together to give a sense of what it was like filming The Dream Factory along the way with Todd Ligare, Griffin Post, Chris Benchetler and Rory Bushfield.

      Inspired by Cesar Kuriyama’s “1 Second Everyday – Age 30” video, Moments is a web series by Teton Gravity Research that pieces together snapshots from the filming of The Dream Factory during the 2011-’12 season. Celebrate moments from locations such as Jackson, Anchorage, Valdez, the northern Chugach, Canada’s Powder Highway, and Pemberton, BC.

      Order The Dream Factory


      Watch More TGR Moments

       

    • 2 months ago
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  • 5 Awesome Apres Skiing Bars in 5 Awesome Apres Skiing Bars in North America

    • From: kenholden
    • Description:

      Homewood Resort - Big Blue View
      No day on the slopes is complete without a little after-party. Apres skiing is by no means a new concept, but it’s something that can turn even the worst conditions into an epic day. Every now and again, we’ll come across gems, some hidden and some not-so-hidden, that were simply meant to complete your trip to a specific resort.

      Homewood Resort - Big Blue View
      Sometimes, simplicity does it best. This small resort on the west side of Lake Tahoe offers one of the finest views in California and Nevada. New to the resort is the Big Blue View bar. Head up the Madden Chair on the northern portion of the resort, and look for the bright blue chairs and listen for the reggae beats. It might not be the greatest spot when the snow is dumping, but it’s going to be perfect for the blue bird and spring snow days. As most visitors will claim, the view overlooking Lake Tahoe from the Big Blue View is probably the best one of any Tahoe resort.

      Mammoth Lakes – Clocktower Cellar Pub

      Mammoth Lakes – Clocktower Cellar Pub
      Whiskey and skiing go together like peanut butter and jelly. While it’s not the easiest venue to find among the vast Mammoth Lakes village, it’s worth taking the time to look for it. The Clocktower Cellar Pub is a small basement bar, a far cry from the usual large restaurants and nightclubs that surround the world-famous ski resort. What attracts us to this specific bar is the exhaustive list of more than 100 whiskies from around the world. A few samplings and you’ll love the feel of this smaller bar, complete with a juke box for your après skiing entertainment. Make sure to ask the bartender about their personal favorites, you might get a taste of a secret stash not available on the menu.

      Mont Tremblant – Microbrasserie La Diable

      Mont Tremblant – Microbrasserie La Diable
      For the microbrew lover, good beer is hard to come by. As ski resorts grow and streamline their operations, the microbrew always seems to take a backseat. Fortunately, for the lovers of the Tremblant Ski Resort, you’ll never have to worry about that with the Microbrewery La Diable. Whether you’re just grabbing an après ski beer, or want the 20-minute tour, free samples of each beer are readily available. They usually have six or seven beers readily on tap for your eclectic pleasure, and the lounge-style jazz music makes it one of the most relaxing joints in the area.

      Still look at Apres ski when your vacation is over?  Check out this amazing Apres Ski wall art from Amazon.com

      Vail, Colorado – Garfinkel’s Restaurant & Bar

      Vail, Colorado – Garfinkel’s Restaurant & Bar
      When you’re done on these epic slopes, head down the Eagle Bahn Gondola and into the Lionshead to find Garfinkel’s. Trust us, you can’t miss it. This bar and restaurant is enormous, with plenty of indoor and outdoor seating. This place isn’t for the quiet-time après skiing, but for those who want to party well into the evening. With more than 20 different bottles and drafts, a full lineup of signature cocktails, and a menu spread that’s sure to please any palette, there are no bad days here. If you’re in the area, their New Year’s Eve party is one of the finest of any ski resort in North America.

      Killington, Vermont – McGrath’s Irish Pub
       
      Killington, Vermont – McGrath’s Irish Pub
      For the lovers of Guiness out there, perhaps your ski priorities should be on the bars in the area. While the Wobbly Bar in Killington always seems to take the mainstream cake, the Irish lovers out there should detour to McGrath’s Irish Pub. This small Irish joint takes pride in serving Guiness the way it was meant to be…perfect. The owner is always out and about making sure that everyone is enjoying their selection from one of the best Irish menus on the east coast. In the summertime, McGrath’s only gets better. The parking lot is also a lot for some of the best trailheads, making it the perfect place to start and end your visit to Killington.

      Plenty of skiing and riding left in the season, in fact March is the best time to Apre and shred pow.  Save big when you book your lift tickets online through Liftopia.com

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    • 2 months ago
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  • 14 Days In Anchorage In Less T 14 Days In Anchorage In Less Than 2 Minutes - TGR Moments

    • From: TetonGravityResearch
    • Description:

      In this episode of Teton Gravity Research’s web series Moments, take a look at a stream of production snapshots from the filming of The Dream Factory in Anchorage, Alaska. Each behind-the-scenes shot is 1 to 1 ½ seconds long and edited together to give a sense of what it was like filming The Dream Factory in Anchorage with Cam Riley and Clayton Vila.

      Inspired by Cesar Kuriyama’s “1 Second Everyday – Age 30” video, Moments is a web series by Teton Gravity Research that pieces together snapshots from the filming of The Dream Factory during the 2011-’12 season. Celebrate moments from locations such as Jackson, Anchorage, Valdez, the northern Chugach, Canada’s Powder Highway, and Pemberton, BC.

      Order The Dream Factory

      Watch More TGR Moments

    • 3 months ago
    • Views: 6
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  • Pontoon Peak – TGR Bar Stories Pontoon Peak – TGR Bar Stories Episode 1

    • From: TetonGravityResearch
    • Description:

      Pull up a chair, crack a beer, sit back and listen to a Teton Gravity Research Bar Story. In this episode, learn about the historic first descent of Pontoon Peak in Alaska’s Chugach Mountains. Located between Cordova and Valdez, Pontoon Peak is one of the prized ski descents in the range. While an iconic photo has lead many skiers to believe Trevor Petersen and Eric Pehota skied it first, let Jerry Hance and Michael Cozad tell you the real story.

      Bar Stories is a web series by Teton Gravity Research. With interview footage taken from TGR’s newest ski and snowboard movie, The Dream Factory, let the legends of skiing tell you how epic it really was.

      Order The Dream Factory

      Watch More TGR Videos

    • 3 months ago
    • Views: 9
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  • 75 Days In Jackson Hole In Les 75 Days In Jackson Hole In Less Than 2 Minutes - TGR Moments

    • From: TetonGravityResearch
    • Description:

      In this episode of Teton Gravity Research’s web series Moments, take a look at a stream of production snapshots from the filming of The Dream Factory in Jackson, Wyoming. Each behind-the-scenes shot is 1 to 1 ½ seconds long and edited together to give a sense of what it was like filming The Dream Factory in Jackson Hole. 

      Inspired by Cesar Kuriyama’s “1 Second Everyday – Age 30” video, Moments is a web series by Teton Gravity Research that pieces together snapshots from the filming of “The Dream Factory” during the 2011-’12 season. Celebrate moments from locations such as Jackson, Anchorage, Valdez, the northern Chugach, Canada’s Powder Highway, and Pemberton, BC.

      Order The Dream Factory

    • 3 months ago
    • Views: 472
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  • What to Bring for a Heli-Ski V What to Bring for a Heli-Ski Vacation

    • From: johnforrest
    • Description:

      What to Bring for a Heli-Ski Vacation

      Written by:  Aaron Whitfield

      Packing for any trip is a process that few look forward to and decisions need to be made about what to bring and what to leave behind. A heli-ski trip to Northern Escape Heli-Skiing in Terrace, BC, Canada, is no exception. With specific needs for skiing, snowboarding, and lodge life, here are a few recommendations from Northern Escape’s staff and past guests.

      The list of must haves is pretty simple: Ski/Snowboard Boots. They are the one essential item that you must have and are personal and difficult to replace. In fact we would highly recommend that you bring them in your carry-on luggage, and not to let them out of your sight! Everything else can be borrowed or replaced if the worst-case scenario of an airline mis-placing luggage were to occur.

      There are a few other items that is recommended to tuck into your carry-on, space allowing; a pair of goggles, ski gloves, a base layer, and any other personal items that you will need for your stay.

      For ski wear, we recommend dressing in layers. The average skiing temperature in Northern Escape Heliskiing’s terrain is around -6 degrees Celsius. Start with base layer and mid layers such as icebreaker long underwear. Icebreaker is made from Marino wool and on top of being warm, it is non-itchy, wicks moisture, and resists odors. An outer layer such as an Arc’teryx shell made of gortex that is wind and waterproof will keep you warm and dry. Another piece of attire that is nice to have under your shell is an insulated vest or soft shell for colder days to keep your core warm. A neck/face warmer or bandito is usually a good idea to ward off cooler temps or the deep powder spray that we are known for. It is essential to keep your head warm so modern helmets usually do double duty of protection and warmth, but a ski hat or toque will work as well. Sunglasses, an extra pair of gloves, and base layer never hurt either.

      If your luggage gets misplaced, or you forget anything, the gift shop at Northern Escape is fully stocked with brands such as Icebreaker, Arc’teryx, and Marmot.

      The lodge atmosphere at Northern Escape is outdoor casual, so jeans, and comfortable clothes are the norm. If space is tight, one pair of shoes should suffice.

      Northern Escape Heli-Skiing has a fleet of high-end powder skis and snowboards that are included in the price of your package. So unless you have a custom set-up that you want to stick with, leave your boards at home and save the extra baggage expenses the airlines love to charge. 

    • Blog post
    • 4 months ago
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  • News: Valle Nevado, Chile, Lau News: Valle Nevado, Chile, Launches Early Bird Deals For Up To 35% Off

    • From: TetonGravityResearch
    • Description:

      Valle Nevado
      If I was a betting man I would put my money on South America having an outstanding snow season.  To entice those looking for an endless winter Valle Nevado Ski Resort is offering an Early Bird Package for skiers and riders looking to save big, up to 35% off.

      Valle Nevado, Chile, January 2013 — Valle Nevado Ski Resort today launches outstanding Early Bird Promo Offers for North American and UK skiers and snowboarders when booking a package before March 15, 2013. The discounts translate into substantial savings with Valle Nevado packages that include lodging, lift tickets, half board, and après ski. Every skier and snowboarder yearning to make 2013 the year they live the South American ski/ride adventure should not wait to book, as space is limited for discounted stays.

      Valle Nevado is South America's premier ski resort, offering access to more than 7,000 acres of terrain located high in the breathtaking Andes, just 90 minutes from Santiago. The resort is self-contained, with 3 hotels for all price levels, gourmet and casual dining, shopping, a spa/fitness center, and the continent's most modern lift system, including a new gondola and day visitor service area for 2013. South America's best heli-skiing is here at Valle Nevado, too, with up to 5,000 vertical fee in one run. The resort is open from June 28 to late September, or “summer skiing” for residents of the northern hemisphere. Blue skies, uncrowded slopes, spectacular views, and a warm, friendly atmosphere are the hallmark of a Valle Nevado vacation.

      Valle Nevado has also launched its new Facebook page in English for international travelers interested in receiving news about Valle Nevado, and information about discounts, events, contests, and more. “Like” Valle Nevado English at: http://www.facebook.com/ValleNevadoEnglish

      EARLY-BIRD PROMOTIONAL DEAL

      Save 35% on stays of a minimum of 3 nights during the dates:
      •    June 28 - July 5
      •    July 5 - 12
      •    Sept. 20 – 27

      Save 25% on stays of 7 nights during the dates:
      •    July 12 - 19
      •    September 13 – 20
      •   
      Save 20% on stays of a minimum of 3 nights during the dates:
      •    August 2 -16 (Hotel Tres Puntas only)
      •    August 16 - September 13

    • Blog post
    • 4 months ago
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  • Hi-fives with Andrew McLean af Hi-fives with Andrew McLean after discovering and skiing a rad chute in the Wrangell Mountains, AK photo by Jim Harris

    • From: kimhavell
    • Description:
      Hi-fives with Andrew McLean after discovering and skiing a rad chute in the Wrangell Mountains, AK photo by Jim Harris
    • 4 months ago
    • Views: 170
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  • Through The Lens Of Jim Harris Through The Lens Of Jim Harris

    • From: kimhavell
    • Description:

      Chris Davenport skis a chute in Antarctica photo by Jim HarrisChris Davenport skis a chute in Antarctica. Photo by Jim Harris.

      “Through The Lens” is a regular column on TetonGravity.com that highlights the work of a photographer in the ski and snowboard industries. The series exists to celebrate the photographers who bring us extraordinary imagery, to get to know who they are, and to understand their process.


      Jim Harris is a TGR success story. An athlete with an artistic eye and a photographer of great strength and perseverance, Jim hit the big time from an unlikely start. Through honest and thoughtful posts on the TGR web forums, Jim unwittingly developed a huge following and grabbed the attention of industry players. Proving himself time and time again in the field and at the computer, Jim has photographs, stories, and drawings featured across varied media spots, print and online, in the world of adventure sport. He is humble, adventurous, and bright, and gets things done.

      Jim has been behind the lens for Sweetgrass Productions, Powderwhore Productions, Camp4Collective, First Ascent, Powder Magazine and more. From scaling 20,000-foot peaks in Bolivia to descending steep couloirs in Antarctica to negotiating a pack raft down Alaskan rivers, this motivated talent keeps at it as he proves that with heart and hard work, success will be a reality.

      Jim’s sincere and straight-up approach resonates with his audiences. Follow his creative journeys as “GnarWhale” on TGR and as Perpetual Weekend online at his Blog, Facebook page, Instagram, and Twitter sites. www.perpetualweekend.com

      Forrest McCarthy melts water at a ridge line campsite as a storm rolls in. Photo by Jim HarrisForrest McCarthy melts water at a ridge line campsite as a storm rolls in. Photo by Jim Harris.

      The Start.

      I was first interested in photography when I was a kid playing with this all-metal Nikormat that my dad had brought back from Japan a decade or two before I was born. I didn’t develop a twitchy shutter button finger until I was around 16 and started documenting the graffiti scene where I grew up. Looking back at those boxes of prints, I was pretty much just mechanically recording ephemeral art. A few years later I extracted myself from that scene by moving to Montana where I enrolled in Wildlife Biology and Fine Art courses. The blend of planning, creativity, daring, and community that made the street art scene compelling also runs through mountain culture. It didn’t take but a few weeks in Montana before I began pointing my camera at people on mountains.

      Studying Wildlife Biology seemed like a good route to finding a job that combined adventure with critical thinking, plus I was good at plant and animal identification. An empirical science education has proved to be a good framework for learning about the world, even though I never took up wearing one of those flat-brim Smokey hats. The fine art courses were just for kicks, but I regret missing the memo that my university had a Photo Journalism school.

      Andrew McLean skis in the Chugach Mountains, AK. Photo by Jim HarrisAndrew McLean skis the Chugach Mountains in Alaska. Photo by Jim Harris.

      TGR.

      While I’d been registered on TetonGravity.com’s message board for years, I rarely visited until I moved to the Wasatch Mountains in 2007 and discovered it offered a way to meet backcountry touring partners. Then I began posting photos of ski tours and that led to invites on more missions. One of those photo essays prompted Gordy Peifer to offer me a spot on one of his Straightline Advenutures Ski Camps, and another trip report garnered an invite to shoot with Powderewhore Productions in Alaska. That AK trip, in turn, resulted in my first print-published words and photos (Powder Magazine 40.1 “Beast out of the Earth”). Then I won a TGR and Smith Optics photo contest where the prize was an Ice Axe Expeditions ski cruise to Antarctica.

      I was sharing just for the sake of sharing and that idealism struck a chord with people. If I suddenly couldn’t sell photos and stories about the sort of trips I like to take, I’d be okay going right back to doing them just for the intrinsic rewards.

      Hi-fives with Andrew McLean after discovering and skiing a rad chute in the Wrangell Mountains, AK photo by Jim HarrisHi-fives with Andrew McLean after discovering and skiing a rad chute in the Wrangell Mountains of Alaska. Photo by Jim Harris.

      Inspiration.

      Media-makers who also are high-performance athletes hold a role I admire. Photographers who can climb and ski alongside top athletes are the ones who, most often I think, bring back something insightful to share.

      Galen Rowell about tops my list of “photographers I wish had reincarnated as me.”

      Christian Pondella has crafted a career shooting photos with skis on his pack, an ice axe in one hand and that shines through in his photos.

      The Camp 4 Collective team brings boots-on-the-ledge perspective to their productions and it’s apparent in the art and illustrations of Renan Ozturk, Jeremy Collins and Adam Haynes.

      Leslie Anthony writes with legitimacy in his words and Fitz Cahall’s Dirtbag Diaries carry that too.

      What all of them have in common is this gonzo journalism approach where, because they can hang athletically, they’re able to convey a first-person narrative that offers candid, humanizing insights into the lives of super-human athletes.

      On the business side, I admire the people who help others to create content in our ski media ecosystem. When done well, enabling other peoples’ creativity is good for one’s own income. The TGR Forums empowered me and I hope the web ad revenue more than pays for the server space.

      Photographers Adam Barker and Chase Jarvis both open source some of their knowledge via web interviews and tutorials. They’re investing their knowledge in aspirant photographers while legitimizing their expertise at the same time. It’s both altruistic and shrewd.

      Sunrise on Illimani, Bolivia while the city of La Paz still sleeps.  Photo by Jim HarrisSunrise on Illimani, Bolivia, while the city of La Paz still sleeps. Photo by Jim Harris.

      The Challenge.

      I want to be a really good storyteller. Sometimes when I speak, my thoughts branch into a tangent, then a tangent of that, until I’m caught in a spiraling fractal of storylines and everyone has stopped listening. So it takes some intention for me to spin a story well. Photo essays keep me on point and the narrative jogging along.

      At some heady level, wilderness adventure stories like the ones I want to tell are another variant of Joe Campbell’s monomyth: the hero marches off into the wild, conquers something untamable, perhaps then realizes that the real conquest happened inside his or her head, and then returns home to share the new wisdom.

      My challenge is that I don’t want to just tell those stories but want to actually watch them unfold too. Going up and down difficult mountains with interesting people carves as close to living that myth as I know how to get.

      Alan Schwer hops down a steep ski line at 19,000 ft, Volcan Pomarape, Bolivia. Photo By Jim HarrisAlan Schwer hops down a steep ski line at 19,000 feet on Volcan Pomarape, Bolivia. Photo by Jim Harris.

      The Business.

      The business-side of working as a self-employed creative is a murky learning curve. There’s no roadmap to “making it” and even things as dry as sending photos for an editor to review turn out to involve diplomatic maneuvering. Many working photographers will tell you that your photos are only valuable if you keep ‘em squirreled away, unseen by anyone but the editor, right until they appear in print. While I see the wisdom in that approach, the only reason I’m paid to take photos now is because I’ve enjoyed sharing pictures in the past. So, I’ve continued to post photos on TGR, though I’ve become more strategic about sharing.

      The ski photo world is a tough one to find recognition in, in part because much of it has fallen prey to this syndrome of collaborative competition where somebody says “Oh! Look at what they’re doing.  We should be doing that too.” Photo buyers, photo makers, and athletes all push one another to converge. One outcome is that photographers face an uphill battle when it comes to creating marketable work that also conveys individual style.

      On the other hand, who wants to feel like they’re leaving money on the table because they’re too elitist to take routine photos? Faced with that question, I’m no strict idealist. I’m not exactly shooting decorative cupcakes, but I’ve dug into commercial projects, studio opportunities, and jobs outside the ski industry. Sometimes they feel like art school assignments where students replicate some Old Master’s painting. Even if it’s not an approach that I’m particularly interested in, it’s impossible not to glean something useful. Those Elinchrom-lit sets are great for learning technique but they’re not where my aspirations lie.

      Tyler Jones leads a climb in the Waddington Range while Seth and Solveig Waterfall follow. Photo by Jim HarrisTyler Jones leads a climb in the Waddington Range while Seth and Solveig Waterfall follow. Photo by Jim Harris.

      Being Diverse.

      When I was about ten I was way into these Redwall books about mice doing medieval things. My parents took me to a reading by the author, Brian Jacques, at the neighborhood bookstore and he described to us kids around him that he’d worked as a sailor, and a truck driver, and a milkman, and some jobs that I’ve forgotten before he eventually became a writer too. The notion that one could do a lot of things in a lifetime, rather than be stuck with just one profession, took root in my ten-year-old cortex that day.

      Photography has been my main focus for the last year or two, but it’s not my only outlet. I still dabble in woodcut printmaking, painting, shooting video, writing, and teaching. If this photo gig stops working out, I’ll always have the latitude to sidestep into one of these other roles.

      Solveig Waterfall skiing from the summit of Mt Waddington, BC over a cavernous crevasse. Photo by Jim HarrisSolveig Waterfall skiing from the summit of Mt Waddington, BC over a cavernous crevasse. Photo by Jim Harris.

      Expedition Style.

      One thing that distinguishes me from the pack is that I like unstaged, one-take, expedition shooting. Long and difficult trips are full of little victories and disappointments and they make for great photographic moments. As a member of an expedition team, I share credit and blame for the ups and downs I’m chronicling. Every bit of the process from planning, traveling, climbing, skiing, cooking, laughing and just surviving together is rewarding.

      There are a couple big hurdles to being an expedition shooter. One is keeping one’s gear alive in the cold, wet, sandy, camera-killing places. That takes diligence but isn’t rocket surgery. Another is that one has to learn to suffer with grace. That takes practice and some balanced brain chemistry.

      The biggest hurdle, however, is managing the dual loyalties of being both a weight-pulling team member while also caring enough about one’s audience to stop helping your buddies and grab the camera. Jabbing a camera in someone’s face in a cruxy moment can be a bridge-burning move. It takes a pretty keen awareness of the group dynamic plus articulate communication to balance photographic and team needs.

      Before leaving for our first trip together, ski mountaineer Andrew McLean told me he was willing to ski for the camera but that he didn’t intend to re-hike anything for a missed shot. If you’ve skied with Andrew, you know that he zips uphill then right back down. Either I had to bully him into slowing down or learn to be quick on the draw, get the shot the first time, and not sulk when I misfired. I went with the second approach and haven’t regretted it.

      One-take shooting is an ethos I’ve embraced. Shooting actual skiing down actual lines, as opposed to the ubiquitous one-turn-wonder approach, feels truthy. As a bonus, there’s a lot more skiing involved in a “work” day.

      Chris Davenport skiing in Antarctica photo by Jim HarrisChris Davenport skiing in Antarctica. Photo by Jim Harris.

      Turning Point.

      Three years ago, three friends and I spent a month backpacking and then rafting across Wrangell St Elias National Park. That trip changed my view of what’s achievable by a small, unsponsored team. I felt empowered by our success and humbled by the times I faltered.

      Back at home, I tried to summarize the story via a long column of captioned photos. The resulting trip report garnered a lot of attention that I never expected. Something about our mix of ambition, unique route, and amateur status really resonated with people, and not just the outdoorsy ones. Traffic poured in from Digg, Reddit and other link-sharing sites.

      Years later, I’m still feeling the reverberations of that trip. I’ve been back to the Wrangells once and have plans for another trip this year. I’m also packing today for a crazy Mexico adventure that I’ve been invited on because a couple of Alaska’s most-audacious wilderness travelers saw my photo essay and thought I’d be a good fit for their team. Looking back, it is comical how many doors have opened for me based on something that I never guessed would have much impact.

      Forrest McCarthy midway through a 120 mile traverse of the Absaroka Beartooth Mountains. Photo by Jim HarrisForrest McCarthy midway through a 120 mile traverse of the Abaroka Beartooth Mountains. Photo by Jim Harris.

      Future Direction.

      There’s been this recent uptick in the ski industry’s acknowledgment that what we do is risky. At a fundamental level, action sports culture pushes the idea that “advancing the sport” or “pushing the envelope” is the loftiest goal an athlete can strive for. I think that presumption deserves some scrutiny because it is steering our risk-taking. We’re not going to revert to blue-square level skiing in movies but it’s worth acknowledging that there are perhaps less death-defying ways to “advance the sport.”

      For me, that means looking for trips that are challenging because they’re remote, or because they require an endurance component, or because they offer a quirky perspective on the norm. Both writers and photographers search for unique angles. As someone with a growing grasp of both pursuits, I’m positioned to connect interesting story ideas with smart photos.

      Jim Harris Powder Magazine Cover PhotoJim Harris' Powder Magazine cover photo. Skier unknown.

      Game Changers.

      A few years ago, I watched an acquaintance trigger and then swept by an avalanche. It was formative.  It changed how I communicate with partners, how I plan for a tour, and is a continual reminder to make conservative choices.

      Soon after that incident, I began teaching avalanche classes. Now that I’ve shifted to proselytizing wilderness skiing for a living, teaching the prophylactic aspect of it feels essential. Not only does it feel like righteous work but teaching avy classes also helps keep my skills honed.

      At the other end of the spectrum, one of my photos is running on the cover of the new Powder Magazine Photo Annual. For someone who’s only been making a living as a photographer for just over a year, it’s like putting boots on at 9:30 and somehow still catching first chair. That cover isn’t recognition I’d expected to have so soon in my photo career, but I’m grateful for it.

      Want to shoot like Jim, start with some high end DSLR camera gear available at Amazon.com

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  • Andrew McLean skis in the Chug Andrew McLean skis in the Chugach Mountains, AK. Photo by Jim Harris

    • From: kimhavell
    • Description:
      Andrew McLean skis in the Chugach Mountains, AK. Photo by Jim Harris
    • 4 months ago
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  • Angel Collinson Segment From T Angel Collinson Segment From The Dream Factory TGR Ski Movie

    • From: TetonGravityResearch
    • Description:

      Teton Gravity Research skier Angel Collinson is nominated for the Best Female Performance in the 2013 Powder Magazine Video Awards. Check out her full segment from TGR’s newest film, The Dream Factory, where Angel rips the northern Chugach mountains in Alaska with Seth Morrison, Sage Cattabriga-Alosa and Dana Flahr.

      The Dream Factory synopsis: For the past 16 years, Teton Gravity Research has made the pilgrimage to America’s last frontier, Alaska: The Dream Factory. Throughout history, Alaska has been a place of dreams. From the early gold rush days, to the rise of commercial fishing, to the explosion of the ski and snowboard freeride movement, people have left everything to follow their dreams and journey to this foreign, mystical land. Like the frontiersmen before them, the pioneers of the freeride movement like Doug Coombs, Eric Pehota, and Trevor Petersen made the dream of skiing in Alaska a reality.

      Follow TGR's modern day athletes on this cinematic voyage through Alaska's awe-inspiring expanse, rich history, and colorful characters. Watch as the TGR crew ventures from AK training grounds Jackson Hole, WY, and Pemberton, BC, and delves deep into the Alaskan way of life during a record snowfall year in AK, skiing terrain most of us only dream about.

      Order The Dream Factory

      Watch More Dream Factory Edits

      Buy Tickets To The Powder Video Awards

    • 4 months ago
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  • Dash Longe Segment From The Dr Dash Longe Segment From The Dream Factory TGR Ski Movie

    • From: TetonGravityResearch
    • Description:

      Teton Gravity Research skier Dash Longe is nominated for the Best Male Performance in the 2013 Powder Magazine Video Awards. Check out his full segment from TGR’s newest film, The Dream Factory, where Dash rips the Northern Chugach.

      The Dream Factory synopsis: For the past 16 years, Teton Gravity Research has made the pilgrimage to America’s last frontier, Alaska: The Dream Factory. Throughout history, Alaska has been a place of dreams. From the early gold rush days, to the rise of commercial fishing, to the explosion of the ski and snowboard freeride movement, people have left everything to follow their dreams and journey to this foreign, mystical land. Like the frontiersmen before them, the pioneers of the freeride movement like Doug Coombs, Eric Pehota, and Trevor Petersen made the dream of skiing in Alaska a reality.

      Follow TGR's modern day athletes on this cinematic voyage through Alaska's awe-inspiring expanse, rich history, and colorful characters. Watch as the TGR crew ventures from AK training grounds Jackson Hole, WY, and Pemberton, BC, and delves deep into the Alaskan way of life during a record snowfall year in AK, skiing terrain most of us only dream about.

      Order The Dream Factory

      Watch More Dream Factory Edits

      Buy Tickets To The Powder Video Awards

    • 4 months ago
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  • Through The Lens Of Tristan Gr Through The Lens Of Tristan Greszko

    • From: kimhavell
    • Description:

      “Through The lens” is a regular column on TetonGravity.com that highlights the work of a photographer in the ski and snowboard industries. The series exists to celebrate the photographers who bring us extraordinary imagery, to get to know who they are, and to understand their process.

      Tristan Greszko, a gifted athlete and photographer based in Jackson, Wyo., is known for his creation and adaptation of unique angles in photo and art imagery. Greszko enjoys working in various artistic mediums including alternate photo processes, screen-printing projects, film, and other creative outlets. His work on projects like the Tiny Jackson Hole video in 2011 catapulted him overnight into the public realm. And, as local lore goes, he is one of a handful of skiers to straight-line “Once is Enough,” a serious and steep line in the JHMR backcountry.

      Greszko took art classes in high school and later began to develop his photo skills through on-snow work in Vermont. After moving to Jackson in 2006, Tristan co-created the Teton Artlab, developing this multi-purpose, non-profit venue to provide affordable workspace for local artists. The lab maintains a quirky and creative atmosphere in which artists congregate and collaborate.

      Keep an eye out: With his distinctive captures and creativity, Greszko explores new ways to share his world of photo and art from a deep well of talent.

      A skier slashes a turn in in Jackson Hole photo by Tristan Greszko
      1. The Start.


      In 2005, I moved from Atlanta to Vermont for a job snow reporting at Okemo and was in charge of shooting “Photo of the Day.” I also bought my first camera and shot the now-defunct Vermont Freeskiing Open. The years between 2005 and 2010, I spent almost every waking hour immersing myself in photography, learning, failing a lot, and collecting a few decent images here and there.

      In 2010, after 4 years working in the Jackson Hole Mountain Resort marketing department, I left my job to devote more time and energy to being a professional photographer. By that spring, I felt I had a strong portfolio and a skill set competent enough to finally, truly call myself a photographer. And now, two years later, I feel like I'm starting to produce some great images. So, I feel like, in many ways, I'm just getting going.

      Killer Face Shots in Jackson Hole by Tristan Greszko
      2. The Inspiration.


      The most obvious choice is my dad, though it comes with a big footnote. The older I get the more I realize how similar we are in so many ways. He had a rare, boundless curiosity about the world, a mischievous sense of adventure, and was obsessive about his interests, which I very clearly inherited. He was a technically perfect, beautiful skier, had a dark sense of humor, tinkered with art and photography, and had a passion for the mountains that bordered on religious fanaticism.

      The footnote is that both of my parents died when I was 14. I was just a naive little kid in 9th grade when it happened, so I say all this after many years of reflection, coming to terms with it all, and you know, building up a bit of a mythology about who he was.  It's hard to say if I'd be as driven or independent as I am today if I had a more normal, happy childhood, but his influence is undeniable and I couldn't imagine a better life in spite of it all. 

      There are a few industry people that inspire me, too, right now.

      Steve Casimiro of Adventure Journal has a wonderfully articulate way with words and images that explain this eternal search and the insatiable lust for adventure that we're all seeking. He does it casually and poetically, and very well.

      Curt Morgan of Brain Farm Cinema … Well, there's no one like Curt out there.  We went to the same high school back in New York. He has accomplished some very big things to say the least.

      Tahoe photographer Andy Bardon is a good friend of mine who shares a similar aesthetic and work ethic, and is a machine in the mountains. It's been awesome seeing him start to blow up.

      Cody Peak in Jackson Hole by Tristan Greszko
      3. The Future.


      I think my goals are pretty simple. I'd like to sustain a lifetime of exploring, adventuring, and being curious about the world, and working really hard and dreaming big. I'd like to think that my work inspires people to live better, and seek out richer, more rewarding experiences too.  Hopefully, I can continue to find amazing people along the way to share the adventure with — finding and keeping interesting, passionate people around me is always an important necessity.  And, as for my dreams, well, I'll just keep those to myself for now. I like it better that way.

      I'm at a point where I'm confident, have some momentum, and feel like I can do some big things if I start pushing and putting my work out there.  I like to fly under the radar and evade unnecessary attention but when I think about where I've come from in the past few years — and what I'm capable of now — I'm really excited for the future. I'd like to step up into a much bigger arena and work with bigger clients: The North Faces, Patagonias, Red Bulls and National Geographics of the outdoor/adventure world.

      Bootpackers by Tristan Greszko
      4. The Business.


      I like this quote by artist Chuck Close:

      “The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case.”

      The most important thing I've learned is to get out and actually DO what you want to do. It’s important to go out and TAKE it instead of sitting around waffling about it.  If you pursue something long enough, you'll find an audience, and you'll definitely find a way to get by, and probably thrive.  A lot of people think giving it all up and moving to the mountains is crazy but I think the opposite is true. It’s crazy how most people live —working in an anonymous job in an anonymous city.  I work hard to stay afloat but it rarely feels like I'm truly working, at least not in the way it felt before I moved to Jackson.

      The Tetons by Tristan Greszko
      5.  The Source.


      I like shooting with the unknowns — the people who you've never heard of and who ski harder than most and keep their mouth shut about it.  Skier Andrew Whiteford and I shot a lot when we moved to Jackson and he's done really well for himself. Good friend and ripper AJ Puccia has been another favorite athlete. There are a few other shots of people you've probably never heard of that are some of my favorite photos ever. These are all athletes that can do anything you ask, happy to shoot, look good while doing it, and are super humble at the same time.

      I crave frequent change, stimulation, and novelty. Lately, I've been shooting a lot of random personal projects like some short videos of this summer's crazy wild fires (in Big Piney, WY and Jackson) and photos of the Northern Lights that were going off in Jackson in the early fall. I've also been road tripping all over the West for the past two years shooting a whole range of weird, amazing locations. And, I just completed an exciting Teton aerial shoot that I've wanted to do forever.

      A frozen fog in Jackson, Wyoming by Tristan Greszko
      6. The Industry.


      Remote control/drone platforms are definitely next in line to blow up big time.  Where the military goes, so goes civilian technology. I bought a Cinestar 8 multi-rotor helicopter this past spring. It's already allowed me to shoot some stunning photos and video, but I'm basically still operating with training wheels. When it all comes together, the cinematography and unique perspectives are really stunning.

      The Northern Lights Over the Tetons
      7. Career Highlights.


      -Construction of the JH Tram - I have thousands of shots of every step of building the new JH tram over the two-year construction period.  No idea what I'll ever do with them but it's awesome to have been the sole photographer on such a piece of history that's so close to the community.

      -Tiny Jackson Hole - I spent a ton of time, 400-plus hours making that video and the response blew me away.  It was a labor of love for sure and I couldn't be happier with how it turned out.

      -Alpinist Spread - Alpinist 33 featured the Grand Teton as that issue's mountain profile. One of my favorite shots ever run was a double-page spread on the opening page of the article, Grand Teton: A Map of the Wild by Renny Jackson.  Given the Grand's influence on American alpinism, it was an honor to be in such legendary company.

      -JH Tram Heli Shoot, 2009 - We did a sunrise shoot of the new tram with Corey Gavitt of TGR. It was my first time shooting out the door of a helicopter, with patrollers throwing bombs below us, patrollers dropping into Corbet's, and the new Tram in perfect morning light.
       
      -TGR/Erik Roner ski-BASE of Cajun Couloir - Erik Roner is an amazing guy and completely nuts. So, seeing him ski base Cajun while perched up above in the old tram was a really special thing though the anxious anticipation beforehand was really intense.

      -Aerials in Indian Creek - the first time I shot climbing with the “Octokopter “- also completely terrifying flying the helicopter off the top of a giant boulder and trying to ease up next to a climber 80 feet off the deck but overall it was a great success and learning experience. It took me another three months before my first epic crash!

      Erik Roner Cajun Couloir
      To follow Tristan:

      http://www.tristangreszko.com
      http://instagram.com/tgreszko
      http://blog.tetonartlab.com

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    • 4 months ago
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  • The Northern Lights Over the T The Northern Lights Over the Tetons

    • From: kimhavell
    • Description:
      The Northern Lights Over the Tetons
    • 4 months ago
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  • High Sierra Backcountry Season High Sierra Backcountry Season Opener

    • From: sethlightcap
    • Description:

      High Sierra Opener

      Story and Photos by Seth Lightcap


      The rumors had started to trickle in the previous week. “Crest looking solid. Maybe Negatives?,” said one text message from a Mammoth bro. “Still thin but could be good high, real high,” said another message.

      These were the magic words we had been waiting for. Finally our frantic calls to friends living in Mammoth, Calif. asking, “How’s the coverage? Can we ski in the backcountry yet?!” were met with a response other than, “ Ummm...Bring your climbing gear! Perfect bouldering weather in Bishop!”

      Snow has been stacking up in the Northern Sierra and the Tahoe Basin since late October but the early season storms didn’t hit the High Sierra peaks near Mammoth Mountain quite as hard. Back to back storms the first week of December changed all that, or at least helped the effort. The couloirs and aprons dropping off the crest got creamed enough to start looking tempting anyway.

      A glimmer of hope that we might slay alpine pow lines while our backyard peaks in Tahoe suffered through a nasty melt/freeze cycle was all it took to round-up the posse. Alpenglow Sport’s Jeff Dostie, Brennan Lagasse, Toby Schwindt, Allison Lightcap and I rallied down HWY 395 and went to have a look around near Mammoth in early December.

      This Eastern Sierra season opener trip turned out to offer the complete package - good weather, stable snow, sweet alpine pow shots and the distinct feeling that we weren’t in Tahoe anymore. Conditions weren’t epic everywhere and the coverage was still thin at best, but one thing was certain, it was definitely worthy of leaving the climbing shoes at home.

      June Mountain
      One day we toured out of the recently closed June Mountain. It was an odd feeling being the only two cars in the parking lot on a sunny Saturday. The lower lodge was barren of any signs of life. It looked like no one had lifted a finger at the place since last spring. Starwood Capital Group, the owner of Mammoth Mountain and June, is obviously sticking to their plan to keep June closed this winter. Starwood’s tentative plans are to re-open the mountain next season. We weren’t sure if we were allowed to start hiking from within the resort boundaries but we saw no signs suggesting otherwise. There were also a few sled tracks on top of the first bench for those with braaa-p lapping on the mind.

      Bootpack at June
      We toured way back beyond June Mountain’s boundaries and punched a staircase up a chute to the crest. Damn it felt good to get back in the bootpack.

      Mammoth Mountain
      Yet again, Mammoth Mountain proves to be the snow magnet of the High Sierra. Mammoth’s upper mountain is caked with snow, seemingly more than any other peak in the region.

      Jeff Dostie skiiing near Mono and June Lakes
      Though it had rained to the top in Tahoe two days previous, the summits near Mammoth were spared the deluge. At 10,000 feet we found drifted panels of boot-top winter pow and a fair bit of wind buff snow. Jeff Dostie lapped it up in between long looks at Mono and June Lakes.

      Brennan Lagasse skis a chute
      Rippable passageways through the craggy Sierra granite are starting to fill in. Brennan Lagasse carved up this surf gully.

      Allison Lightcap hiking
      We chased the sun as we best could but it’s warmth was fleeting. Coverage was way better on northern aspects which kept us hiking and riding cold north faces. Allison Lightcap broke out into the sun topping out for another lap.

      Brennan Lagasse rips wind buff
      If you want to shred in the High Sierra you gotta love wind buff. This mission was no exception. Brennan Lagasse ripped into this tasty textured panel of the chalky stuff.

      Sharky Powder
      I wish I could say the Sierra snowpack down by Mammoth was super fat. Sad but true, it was not. There are some sweet alpine lines that were ready to ride but a vast majority of the peaks needed more snow to be fully in-season. Toby Schwindt carved into a rock field soon after this shot.

      Jeff Dostie rips an alpine face
      But where the snow was deep enough...Jeff Dostie found some High Sierra bliss opening it up down this alpine face.

      Brennan Lagasse slashes a powder turn
      Slashing deep pow in the High Sierra is always extremely satisfying. Between the effort it takes to get there and the unfortunate reality that wind or warm temps often strip away the snow with a quickness, you gotta cherish every blower turn you can get in the Sierra. Brennan Lagasse made this turn count.

      Jeff Dostie and Brennan Lagasse watch Toby Schwindt ski
      It’s a distant second to shredding pow yourself but watching your buddy whoop it up takes home the silver everytime. Dostie and Lagasse approve a Toby turn with a hearty pole whack.

    • Blog post
    • 5 months ago
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